Final Project Presentations
Mas.845 Special Topics in Cinematic Storytelling:
Course Syllabus
Spring 2007
Course:
  • Part One: Learning stories: life experience, time, space, telling & sharing
  • Part Two: The cinematic sequence: defining the moment; framing; sound & light; structure
  • Part Three: Distributed Digital Story Environments. Issues of time, continuity, participation and interpretation.

Requirements:

  • Participation in class discussion. Construction of a personal learning story and development of two prototype storyteller projects.

Three Assignments for the Course:

  • Assignment One: relate a personal learning story; focus on how time is transformed as you convert information to narrative.
  • Assignment Two: select, build and populate a small story world using rich media. Focus on your scenario for the world, your story representation, and a navigational strategy for sharing.
  • Assignment Three (final): a personal work that builds upon the prior work of the semester (can be a continuation of 2); the topic is chosen by the student in discussions with the instructor.
CLASS DATE TOPIC READINGS/VIEWINGS (READ BY NEXT CLASS) KEY DATES
Week 01 -
February 06
Learning Story:
a personal narrative
Story world defined:

dynamics of situation, character, time
Role of expectation, anticipation and tension
Make a rich media version of your learning story; due Feb 13.
Week 02 -
February 13
Time and experience as axes of narrative:
the art of the sequence
Bruner, Jerome. Acts of Meaning. Chapter 1.
Michael Roemer, Telling Stories, ch 1-3
Paul Ricouer, selections
Bachelard, G. The Poetics of Space. Translated by Maria Jolas. New York: The Orion Press, 1994. (optional reading)
View one movie of your choice to discuss in light of readings.
Learning story as rich media narrative due.
Week 03 -
February 20
NO CLASS - MIT is on a Monday Schedule
Week 04 -
February 27
Making "Life. Research.":a documentary about Hugh Herr
Guest: Edward Shen

Making Media for Confectionary
Guest: Jacqueline Karaaslanian
Kelliher, Aisling. Everyday StorytellingJanuary 2007.
Kearney, Richard. On Stories. Chapter 11.
1. Guidelines for Project 1
2. Submit written description of first project (post on wiki).
Week 05 -
March 06
Storied Objects
Guest: Hyun-Yeul Lee
Unseated Documentary
Guest: Michael Epstein
Lee, Hyun-Yeul Storied Objects: Design Thinking With Time. January 2007.
Epstein, Michael et al., Un*travel Media: http://untravelmedia.com
Week 06 -
March 13
Focus on narrative, social interaction, and the changing dynamics of audience
Flickr, Blogs
Other Sites

Guests: Aisling Kelliher and Bakhtiar Mikhak
Davenport, G., Barry, B., Kelliher, A., Nemirovsky, P. Media Fabric : a process-oriented approach to media creation and exchange. BT Technology Journal (2004).
Davenport, Glorianna. The Storied Machine. RTE Radio Science Lecture, 2004. Radio Broadcast of live lecture.
http://ic.media.mit.edu/projects/JBW
Mueller, Erik. Story Understanding.
Week 07 -
March 20
First project presentations First project due.
Week 08 -
March 27
NO CLASS - Spring Break
Week 09 -
April 03
Art and Research
Guest: Barbara Barry;
Vogler, Christopher. The Writer's Journey: Mythic Structure for Storytellers and Screenwriters. pp. 13-31.
Davenport, G. and Murtaugh, M. Automatist storyteller systems and the shifting sands of story. November 1999.
Week 10 -
April 10
Stories of the Environment & the Citizen Scientist
Guest: Dale Joachim;
McCloud, Scott. Understanding Comics. Chapter 6.
Frank Thomas and Ollie Johnson, The Illusion of Life: Disney Animation, Chapter 3: The Principles of Animation.
Davenport, Glorianna. Desire versus Destiny: the question of payoff in narrative. Position statement: for Caixa Forum MetaNarrative[s] Conference Barcelona, Spain, January 29, 2005.
Final project defined in email before class.
Week 11 -
April 17
NO CLASS - Patriots Day
Week 12 -
April 24
Final project discussed in class.
Week 13 -
May 02
TBA
Guest: TBA
Week 14 -
May 08
Final Presentation Program

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